Have you ever noticed that black is never really black? There is a multitude of shadings all along the color spectrum from indigo blue to a russety deep brown and of course various saturations of color to take advantage of the white of the paper. One thing about working with whites-in a watercolor, they make the painted areas around them really "pop" so it's critical to save a great deal of the white wherever you want sparkle and movement.
Speaking of movement, I had fun washing in the background color in a concentric circle around the shape of the pan. Our stovetop is a shiny black glass which bounces a lot of light around, so getting (again) the sense of light and the fun colors from the reflective surface made it an interesting piece to do.
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